6 Pro Tips on Glass Bottle Writing

I had a bunch of champagne bottles to customize and I decided, you know what, let me walk you through the process and share 6 pro tips with you!

Tip 1: How to hold or secure the bottle

Option 1: You can put a cushion underneath your bottle and it will be a lot easier on your hands so that you don't have to carry it.

Option 2: Hold the bottle by the neck with your non-dominant hand, which is my preferred method because I find that it's a lot easier to pivot the bottle in small increments so I'm essentially tilting the bottle bit by bit, pivoting it against the table at the bottom of the bottle.

Imagine the bottle is tilted up at an angle and this allows me to visualize a straight line easily without any parallax error. I generally go for the second method, but if you find it a bit tough on your wrist, you can go with option one: using a cushion underneath and still tilting the bottle. It's just a bit more tedious - just imagine you have the bottle flat down and you have to overarch your back or neck to look at the bottle compared to tilting it up with your hand so that it faces you.

Tip 2: If you make any mistakes, use an alcohol wipe to scratch the ink off

Tip 3: Add flourishes or decorative illustrations to centre / balance your composition

If you are not confident with centring your lines - if let's say it's a little bit too near to the left or a little bit too near to the right and it's not exactly balanced you can always add flourishes to extend your sentences to balance it out.

So for example in this case, the "Frederic" name, I wrote it a little bit too near to to the left so I extended it by adding a little heart shape at the end and that's my usual go-to, to balance things out. In this case and it's only appropriate if it's relevant e.g. if it's a couple, I can add the heart shape but let's say if it's ambiguous I'm not so sure if it's anything like Valentine's Day related or Anniversary related, then I don't add the heart shape. I'll add something else that is like a simple flourish but essentially it works both ways.

So let's say if the word was a little bit too near to the right, I'll add an additional flourish on the letter F - entrance stroke of letter F to extend it further to the left.

Usually I just kind of freehand and freestyle and whatever comes, whatever goes, you know? In this case, there was a bit too much extra space at the bottom, below the date, So I added a little bit of decorative flourishes at the bottom. And I just completed the whole thing by adding the illustrative stars, especially if it is a celebratory or congratulatory message.

Tip 4: Use an oil-based marker

The gold pen I'm using is called the Sakura Pen Touch Gold Pen in fine-tip size. Essentially, you want to go for an oil-based marker and not an acrylic marker - not like a Molotow or any other acrylic-based marker, not a water-based marker like a POSCA because we want to ensure the ink can last. Usually for champagne, the customers are going to put it in the fridge and chill it before they bring it out and you don't want the water from the condensation to ruin your artwork. So you want to go for an oil-based marker because it's more long-lasting and it is ... I wouldn't say it is scratchproof because you can technically scratch the ink off but it's definitely waterproof. For water-based markers, they are not waterproof and acrylic-based markers, they usually water resistant but not waterproof.

My personal preference is… I like a very specific shade of gold which is this particular shade of gold. Not too yellow and not too red tone. If it's red-toned, it's like copper or rose gold and if it's too yellow, it feels very old-fashioned so I like it somewhere, just right. And I also like markers where they dry off with a matte finish, where it looks really clean, very nice, shiny, reflective under the light so yes, it checks all the boxes.

Tip 5: Increase the size of your pen or decrease the size of your pen tip, according to the text length and the bottle size.

For example, if I have a small bottle like a mini champagne or half bottle, I can reduce the marker size from fine tip to extra fine tip. Or let's say I am writing on a 750 ml bottle but the text is long like a 100-word poem, let's say. I don't know who will get that but let's say it's 100 words and I don't want the entire piece to feel very overwhelming, you can reduce the pen size from fine tip down to extra fine so that all the lines still look easy to read with all the negative space.

Likewise, if I'm writing a really big bottle let's say 3 litres, and I only have one word that says "Congrats". Then I can increase the size of the tip from fine to medium-sized.

It's good to have various pen sizes and you can switch accordingly depending on the 1.Text length and 2. Size of the bottle itself.

Tip 6: Recommend a custom message that fits the bottle shape for a well balanced composition.

If you notice the shape of the champagne, it's narrower at the top and it goes wider and wider to the base so generally speaking if let's say the client comes to me and says they want a really long word and that's the first word - I try to advise the client: "Is there a way you can rephrase, if possible?"

So for example "Congratulations" is a really long word relative to the word "Audrey" I mean of course if they really want this fixed text I would just say "Yes let me do it for you, I can get it done" but if they are like "Can you recommend me something that is fitting for a birthday?" then I will recommend a phrase that doesn't have a really long word as the first few words.

Generally speaking, you want it to look nice across the entire bottle so if the longer words can sit at the bottom, that would be a lot easier, composition-wise.

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Alright, I hope you enjoyed this blog post - if you did, let me know which tip you found most helpful. If you’ve any questions along the way, don’t hesitate to comment your question below or DM me on Instagram and I’ll be sure to answer and help.

Last but not least, I share these thinking that most of the people who watch it would likely be a practising artist - maybe you want to venture into a new material or surface or item or a new service but if you are someone who has not tried calligraphy before and you want to learn and you want to master calligraphy, then I would point you towards my calligraphy course. It's completely online or if you're in Singapore, you can also take it with me in person and even if you are practising calligrapher and you want to level up, feel free to check it out as well.

Anyway, I'm just sharing so if any of you guys are interested you can check it out and there's also a free class preview, you can watch one lesson to see if it's a right fit. If it's not, no pressure, no worries. You can always wait till my next tutorial - feel free to comment on what you want to learn!

How to Hand-engrave on Metal, What Engraver I Use, Full Engraving Process & More

Hi everyone! I’ve engraved on various materials before such as glass and plastic (process tutorial on engraving on glass is linked here, and plastic is linked here).

And recently, lots of metal! So I thought I’d share what I learnt with you, along with my full process of how I engrave on metal.

First off, the engraving tool. It is called a nail drill or a dental drill.

And the reason how I know that is because if you go to a manicure or pedicure, they would usually use a similar tool but they will switch out the burrs that you know instead of using a diamond burr, they would use a different burr to do the filing of the nails and other nail things. And for dentists, it's a really uncanny encounter because I went for a wisdom tooth extraction. And it's like almost like a deja vu moment because I usually engrave on different items like glass and metal and acrylic and all like different products for clients. And when I was doing the wisdom tooth extraction, the dentist pulled out a tool that looks exactly like my engraver and he used it on my teeth. Yes. So that's how I know um it's also used by dentists so you can either Google a dental drill or a nail drill, and something similar would pop up.

Or if you want to avoid any hassle - I will link down the product links to the 3 engravers that I currently have and you can definitely check those out. And I will broadly explain the differences as well so that you can make a more informed decision.

Engraving Tool 1: Dremel Stylo +

So the first engraver that I got was the Dremel Stylo+. I would highly recommend this over the other Dremel tools in the market because this option here is ergonomic, small and lightweight which is very important, at least to me when I'm engraving. Because I want to make sure that I can create a smooth line and I can control it well, I don't think I can do that with a bulky and heavy engraver. That being said, there are also several disadvantages to the Dremel Stylo+.

1. It is fairly noisy. It almost sounds like you know when your neighbour is doing a renovation next door, it kind of sounds like that. I do have a comparison video of the noise level between the Dremel and the other engravers that I have. Link here.

2. It is not brushless. What brushless just mean is whether or not you can feel the vibration in your hand when you're engraving. I would say if you are a full-time engraver or if you are doing a long-term project, definitely you want to consider this feature in mind because while it is bearable and it's not terribly uncomfortable, it still exists.

3. It only goes up to 25k RPM. While it is able to cut into glass and metal and all that, it's not the highest horsepower machine out there available. So let's just put it as that meaning it's not bad but it's not great, you know what I mean?

Engraving Tools 2 & 3: Nail Drill / Dental Drill

Moving on, the next two engravers that I'm gonna talk about are exactly the same. It is the one I’m using in my above Youtube video. The difference is they are packaged differently and priced differently as well.

Broadly speaking, these two engravers are brushless, no vibration on the hand, very lightweight, and small. It is also you know higher horsepower; it goes up to 35k RPM. That said, you should also be able to find engravers out there in the market where it goes up even higher up to 40K RPM so if you prefer 40K definitely feel free to Google for those options.

The second engraver I got is from Laura, she goes by the name of @ingkstudio and she's from Australia. She does this all-in-one kit, beautifully packaged, so it includes everything that you need in a project from start to finish. Here is the link to her product. Because of that the price point is higher as well so I paid a total of 570 SGD (435 USD) after the conversion and inclusive of shipping and tax right so the shipping and tax are already well over a hundred so you may want to check it out and kind of see how much it costs depending on where you stay and what are your local tax rules.

But other than that you also want to consider the electrical power point. The plug in Australia is not the same as the plug in Singapore so I do have to purchase an additional adapter to make sure I can use it in Singapore.

So moving forward, I then purchased a third engraver and this is my backup engraver for events, so it's very important that when you're doing live events you want to make sure you have two so just in case one dies out, you have the other as your backup. This backup engraver is the exact same ie. it looks exactly the same it performs exactly the same as the engraver that I got from Laura. The difference is the price. I got my 3rd engraver from Alibaba. It cost me 120 SGD dollars nett or 90 USD and I was also able to choose the power plug, right so there's an option of US, UK and EU and because UK is the same as Singapore, I chose the UK option. So hopefully that's helpful for you to make an informed decision. *Update: Here is the link to purchase something similar.

Or if you’re in Singapore, here’s a more affordable option linked here.

Engraving Process

Before I start any engraving, if I see that the surface is dirty, I will wipe it down with a wet wipe or rubbing alcohol. Once that is done, then I will proceed with the engraving itself.

You also want to make sure that the amount of pressure that you apply is even and consistent. Meaning, you do not want to apply heavy pressure. You want to go slow and steady and let the tool work for you. There's no need at all to apply too heavy pressure. You know if it's too heavy when your hand starts to get tired quite easily from holding it really tight and applying heavy weight on the item itself. At the same time, you do not want to apply too light pressure. If it's too light, first of all, you wouldn't even make a dent on the item but likewise, if it's too light and furthermore if it's not consistent, you may also see that your line is not smooth. To get a smooth line, you want to make sure when you are drawing one line from point A to point B, the amount of pressure applied is exactly the same. Consistent, even pressure. That's how you get a smooth line.

If it's not smooth, it's very likely either 1. The speed is not right. Meaning if you're going too fast or too slow abruptly, you would maybe have a skipping of lines or 2. It could also be the material itself. Yeah, let's just blame the material (haha!) Certain materials right for example a low-grade metal is going to be smooth, it's gonna be slippery, it's gonna be very hard to control so I highly recommend you slow down two things 1. the engraving speed itself ie. the RPM and 2. slow down the writing speed meaning your own hand like the strokes that you are doing in real life.

Other than that, you also want to consider:

• Is the metal coated or uncoated?

• What type of metal is it?

• Is it aluminium, is it brass, copper, or stainless steel?

Things like that so I do not have a fixed RPM magic number to provide you with because it really depends on all the above factors that I've just mentioned.

How to draft a design before engraving if you’re not comfortable with free-hand engraving yet

Use a ruler as well as a water-based marker or pen to draft two things 1. guidelines as well as 2. my calligraphy design. You can either use a water-based marker or a water-based pen to do this. Something inexpensive would be great because you're gonna wipe it off later on so there's no need to use an expensive Molotow one for all acrylic marker or anything like that. Something inexpensive like a micron or a posca pen will do.

After I'm done with the draft, I'm gonna proceed with the engraving and trace over the lines that I just drew. After I trace finished the lines, I will then use a wet wipe or a spray bottle and just spritz it down. Because the ink is water-based, you can easily remove the draft design and that would leave your calligraphy design on top.

Hot Tip 1:

If you're doing a monoline engraving, use a bullet tip. If you are doing a shaded script engraving, you can use a water-based brush pen. Because that's gonna show you the thicks and thins just by using the brush pen itself so there's no need to do any faux calligraphy in that sense because you already have the design there.

Hot Tip 2:

If the pen ink is not showing up on the item itself or if you see that the surface of the item is repelling the ink, use a marker instead or a wax pencil such as the Stabilo All pencil.

That’s all! I hope you will find it helpful for your personal projects as well as our client projects.

At the same time, if you're looking to master calligraphy I do teach an online course. It's called The Ultimate Calligraphy Course. There's also a free class lesson for you to view right now so do check it out if you're interested. There's no experience required because I teach everything from the ground up: basics, intermediate, all the way to advance. If not, if you have any questions about today's video feel free to leave them down below and I'll be happy to answer them!

How to Hand Engrave Calligraphy on Glass, Wine & Champagne Bottles - Full Process, Tools & Tips

Part of my calligraphy services includes engraving for corporate and personal customisation orders. And I've been asked several times on socials about my process.

So I decided to take this opportunity to film a process video on hand-engraving on glass.

And also to show you the difference between 2 engravers:

1. Dremel Stylo + (which was what I used before upgrading to...)

2. Brushless Engraver

Tools

• Stabilo All Pencil

• Rub ‘N Buff

• Dremel Stylo +

• Brushless Engraver

Step 1: Safety’s first!

Always make sure that you prioritize safety first - always have a mask on because the glass dust particles are really bad for health and always have some form of eye goggles or protection on as well.

Step 2: Draft out your calligraphy design

I’m using the Stabilo All Pencil and this has a soft and waxy lead which helps you write on the glass surface. It is water-soluble so if you have not decided on your final design, you can edit it in a certain way. If you do not have the Stabilo All Pencil, you can definitely go with any other water-soluble markers e.g. Posca Markers, Micron, or a Pentel Brush Pen because after you engrave your design, you can use a damp cloth to wipe away any of the marks.

Step 3: Engrave using a thicker bur e.g. 1.2mm

Here I’m using a Brushless Engraver. This engraver is very quiet and easy to use. It also turns on really fast and goes up all the way to 35,000 rpm. Not to mention, it’s cordless too, which is great for live calligraphy events.

Alternatively, you can also go for the Dremel Stylo +. This is a more budget-friendly option which is what I started out with and I think if you're just starting out, this is a really good option regardless, compared to the other Dremel tools which are chunkier in size. The Dremel Stylo+ is so much easier to hold, kinda like holding a thicker pen.

But definitely, if you're in the market for something better, then the brushless engraver is the way to go! Previously when I was using the Dremel Stylo +, it kind of bounces off the glass. And if you really want to fine-tune the shade or swell for a stroke ie. how thick it is and whether or not you can do like a smooth stroke for the thick downstrokes - It's so much easier with the brushless engraver. The difference is really considerably noticeable.

Anyway, regardless of any engraver that you're using, you just want to make sure that you are letting the tool work for you so don't do not apply a heavy amount of pressure, lightweight pressure will do. That is what the rotation of the rotary tool itself does by kind of like chipping into the glass in a very controlled way.

Here I’m using the 1.2mm bur, tracing over my draft design to create a monoline script first.

Step 4: Engrave using a thinner bur e.g. 0.5mm to create a faux calligraphy look

Next, switch out to a thinner bur e.g. 0.5mm to have more control while creating a faux calligraphy look. What you want to do, is to add a shade / swell to all downstrokes of your script and keeping all upstrokes thin (monoline). This creates visual contrast, which makes your script look really pretty and elegant!

While you’re on step 3 and 4 engraving as you go, do wipe off the glass dust particles occasionally using a brush or your hand (optional: with gloves on).

P.S. If you're wondering on how to do the calligraphy side of things, I have a blog article linked here that goes into the details of how to keep like the calligraphy straight, centered, balanced - things like that and some hot tips and tricks where you know maybe if you have written the word a little bit too far out on the left-hand side, how do you fix that and make it centered again!

Step 5: Apply Amaco Rub ‘N Buff

Next, you want to apply the gold filling or any other color that you prefer so here I'm using the Amaco Rub ‘N Buff (gold leaf colour) to do the gold fill. Just use a q-tip and apply it all over your engraved design. Make sure to have an even coverage all over but at the same time, there's no need to put like a huge amount. A little bit goes a long way so just smear it all around and try your best to avoid the wine label in case it stains it.

Step 6: Buff out the residue to achieve an even polished surface

And here comes the most dreaded part that I hate the most! And that is buffing out the residue so that you have an even polished surface. Get that arm workout in!

Step 7: Wipe down and it’s ready to be delivered!

But it's okay it's all worth it in the end, just make sure you take your time so here's the final result of the wine bottle and it's ready to be shipped out and delivered. I hope you enjoyed learning about my process and if you have any questions just leave them down below and I'll be happy to answer them!

P.S. If you’re looking to start your calligraphy journey or improve your current skills, feel free to check out my online calligraphy course here!

Create calligraphy art that stands out. Here's how.

If you were to ask 10 different calligraphers to write 1 word in a traditional calligraphy style such as Copperplate, you'll most likely get 10 script work that looks exactly the same.

Why?

That's because traditional scripts often adhere to a strict set of rules.

Letter form and structure, and corresponding basic strokes and letters are the done the same way.

Copperplate Calligraphy (Base)

Here's how to stand out:

And that's by...

Incorporating new techniques such as creative flourishing and ligatures:

Copperplate Calligraphy (with flourishes and ligatures)

Here's a quick breakdown:

There are SO many different ways to flourish a single letter to create an elegant, ornamental look to your letters.

Take the lowercase letter y for example... here are 7 simple ways to flourish it! But trust me, we can definitely create 10 - 20 more variations, ranging from simple to moderate to super complex ;) Yep, I’m not joking!

Likewise, ligatures (like the double l-l in “Calligraphy”) can really help your work stand out. Not everyone's able to identify harmonious letter relationships between different letters!

But once you understand key calligraphy concepts and most importantly, understand form and structure - you'll definitely be able to train your eyes to...

1. Identify letter relationships and

2. Create creative interactions between your letters: this could mean double ligatures, triple ligatures, quadruple ligatures etc.

3. Or even: combining flourishing with ligatures to produce undeniably mesmerizing results.

Flourishing and ligatures are SO much fun, and it's one of my favourite things about calligraphy. After mastering these, these new skills will help in creating effective compositions and layouts as well.

Last but not least... another way to create unique work that stands out is modern calligraphy!

After learning traditional script, we can now break the rules and play with modern calligraphy.

If you were to ask 10 different calligraphers to write 1 word in a modern calligraphy style, you'll most likely get 10 script work that looks fundamentally different and unique.

And that's because there are sooooo many ways to break the rules! The above is just one sample style, but know that you can create so much more.

Let me know if this is helpful. I'd love to know... which do you prefer: traditional or modern calligraphy, and why? Feel free to comment below to share your thoughts with me!

Pssst. Interested to learn more about calligraphy? Check out my online course: The Ultimate Calligraphy Course and watch a free preview lesson today!

Why your calligraphy letters don't look good... and how you can fix it!

Have you ever found yourself saying or thinking these things while writing?

🖋 "Why do my letters look so clumsy and ugly?"

🖋 "How is it so difficult to move my hand to where I want it to?"

🖋 "Can't my upstrokes be thinner?!"

🖋 "Why does calligraphy look easy for other people but not for me?"

🖋 "I don't know what is wrong!"

If so, I say this with so much love but...

You don't need to practise your letters 1,000 times to get it right.

Sometimes the solution isn't "more practice", it's *clarity before execution*.

Remember, train your eyes before you train your hands!

Let me share on one of the most common mistakes that beginners often face: Pressure control.

Rule #1

Calligraphy looks elegant because of *visual contrast* ie. we've thin strokes and we also have thick strokes.

The next natural question you may ask is: "How do I know when to write a thin stroke and when to write a thick stroke?"

Rule #2

Easy!

If you're writing a downstroke, where you're bringing the pen towards you: apply pressure.

If you're writing an upstroke, where you're bringing the pen away from you: release pressure.

If you're saying... "Hold on, Leah, I know this already but my letters still look bad!"

Gotcha!

Rule #3

Should you try a brush pen and not be able to control the upstrokes and downstrokes well, I highly highly highly recommend scaling back to something even more basic: the pencil!

Remember: form always come first. Once your form is good and ready, you can tackle the brush pen next.

Especially if you're someone who's pretty heavy-handed in nature (aka when you write on paper with a pencil, and the pencil marks can be seen on the other side of the paper), then pressure control and grip are things you want to take note of.

So today's action step: try applying heavy and light pressure on the pencil instead of the brush pen.

If you're not sure what this means, feel free to check out this video below. It's only 1 minute so it won't take too much of your time.

Let me know if this is helpful. Feel free to comment below if you've questions!

Pssst. Interested to learn more about calligraphy? Check out my online course: The Ultimate Calligraphy Course and watch a free preview lesson today!